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Browsing Tag

Pace

Closing the Summer Market

I’m being cozy with myself. Curious, and gentle. Quiet, on this day without work or much for obligations.

I dropped my son off at school. (He was wearing a double-breasted coat, gray wool with a brilliant fuscia lining. It was a lost-and-found offering from a friend. I love that he loves it, and that I am able, in spite of all my acculturation, to let it be irrelevant that the coat was designed, tailored, and sold with a female market in mind, not a nearly 12-year-old boy).

I’m wearing a mismatch of clothes myself– only half-changed out of pajamas for the two mile drive into town and back. Clothes are a funny thing– so expressive and particular and important, and so absolutely not at the same time.

I made some tea– a pastel rainbow palette grown in Wisconsin that I’d forgotten I had. I drew, but digitally, and yet it still felt present and connected. I answered an email– and thought about the ways to say “no” that are both true and likely not to be interpreted as unkind by the recipient. I was asked to sing for a local event, and didn’t want to in the least! Not because it’s not a good cause, but just because I don’t want to.

I don’t want to do the work– and I don’t want it to be work. I made my income out of creative pursuits for almost twenty years, and I’m glad I did, and, when I’m not afraid I’ll be punished by some petulant diety for it, I don’t want to anymore– or, rather, I don’t want to right now.

I want to prod, as with a stick in dirt, not push as with a plow through a field.
I want to scatter seeds just by walking through the tall grass and the trees, not plan and plant straight rows of things to harvest, preserve, hawk.

That’s not to say being a “working artist” is only that: selling your wares. But it looks like that right now, and I don’t want to set up a stall in the village square and wait to see who wants what I’m selling.

I’m not actually resentful of the market. The resentment is wanting, despite how right I feel living my life a different way right now, to want to go to market. Because I haven’t reconciled that I wanted something before, and now I want something else.

Neither wanting is more right (or less right) than the other. Summer’s not more right than Winter– and I like both… and I’d choose Summer every time.

Isn’t it good that I don’t have a choice? That I don’t get to decide everything? That the way I want to live my life means I get to practice loving something as it is, something that I would not pick?

The next thing to learn is this: I’m not “making it through” Winter so that I can be better at Summer when Summer returns. I’m not “making it through” what Shopkeeper Rose might label as a dry spell, a period of contrariness, a time out, in order to have more exciting wares to bring to market when I re-emerge.

Because there is no such thing as “re-emerging.” There is no disappearing. There’s just a common way of noticing we’ve been told is the only way, and it is about crops and yeilds and profit margins and hours of daylight and wordcount and bank balances.

But if I don’t push, if I don’t resist, if I am Here… There’s the truth, and telling it or not. It’s the law that extends through everything, Summer and Winter alike.

Why Creative Blocks are a Good Thing

On Writer’s Block jumped into my box at the Friends of the Library Book Sale.

I was wary– I’ve done The Artist’s Way, this could be old territory.

But Victoria Nelson had me Aha-ing with every chapter.

Primarily, she says that a block can be the sign of creative integrity.

It shows up and halts all activity when the Ego is trying to muscle the Soul/Unconscious into something that isn’t quite right.

We should use blocks as guideposts.

Stop and uncover what is at the cause of it.

What is the resistance?

I know this, but it was powerful and helpful to see it all written out so matter-of-factly.

A block safeguards the work until Ego can handle it.

A block stops you from digging around to see if the seeds are actually growing (an act that would kill the garden).

A block is a sign of creative health, not ever of failure.

Avoiding the Gate: When the Project Feels Slow

I’m publishing my first book and it’s going so slowly.

Not too slowly, but slower than my imagination.

I’m a skittish colt leaping around instead of running straight through the open gate.

But the colt (and I) aren’t wrong.

We’re not lazy or bad or even distracted.

We’re young and there’s a lot of extra energy and it’s spring and everything is new– and, most importantly– there is time.

There is time for leaping and snorting, pawing at the ground, tossing our heads, putting on a show.

This isn’t a term paper, and we don’t have a death sentence.

Sometimes the rhythm and goals of life are urgent, pressing– but all things happen in their right time.

There is no mistake.

It always goes exactly how it must go– but sometimes I had other predictions or step-skipping hopes.

But in the end, I know I will be satisfied and the gate will be beautiful– even my friend.